Strymon keeps a steady dialect. 300 preset slots on nearly every box — 200 on TimeLine and Mobius — and tap tempo waiting on CC 93 almost everywhere you look. 21 pedals. All of them read.
In the app today. Every one built to spec.
12 reverb machines, 148 controls. Room to Nonlinear, and everything that lives in between.
Two independent engines, each running all 12 machines. 24 combinations, 454 controls. The largest profile in the app.
Plate, Room, Spring. 3 machines, 28 controls. Three good answers to the same question.
3 machines, 24 controls. The 3205, the 3005, and the Multi. It knows which one you meant.
1 machine: Ambient Reverb. 14 controls. The simplicity is the point.
2 machines, 4 modes, 13 controls. Compressor or Boost. Studio or Squeeze. Clean or Dirty. Small pedal, complete map.
Tape Saturation and Doubletracker. 5 modes across 2 machines. All 36 controls, including the ones that feel like accidents.
1 machine, 21 controls. A delay pedal with a lot to say about one thing.
Tape Echo, and nothing else. 16 controls, every one of them doing something.
3 tape‑echo machines across 9 modes, 108 controls. Fixed heads, multi‑head combinations, and Sound on Sound. The manual was long.
Tremolo and reverb, 6 modes, 39 controls. Three decades of each, laid out in order.
Round, Chime, Punch. 3 amp machines, 35 controls. Pick a room and stand in it.
1 machine, 22 controls. Everything the rotary does, surfaced.
12 machines: Chorus, Flanger, Rotary, Vibe, Phaser, Filter, Formant, Vintage Trem, Pattern Trem, Autoswell, Destroyer, Quadrature. 123 controls. It’s a lot.
1 machine, 54 controls. The gap between those two numbers is what makes it a NightSky.
1 machine, 16 controls. Drive, mapped cleanly. Not everything needs 12 modes.
Dual Overdrive. 1 machine, 18 controls. Both sides of it.
12 delay machines, 193 controls. dTape to Lo‑Fi, in order. Every parameter the manual published.
Chorus, Blend, Vibrato. 3 machines, 18 controls. The whole range of what it does.
3 machines, 116 controls. Studio, Drum, Tape. The number is not a typo.
2 machines, 6 modes, 35 controls. Four‑stage and six‑stage, from Classic to Strong. All of it mapped.
21 manuals. Every parameter table read, every range confirmed, every control cross‑checked against what the pedal actually receives. It isn’t glamorous work — mostly it’s a PDF and a MIDI monitor and a question about whether this knob goes to 127 or to 100. The app holds the answer so you don’t have to.
Available on iPhone, iPad and Mac. Connects over Bluetooth LE MIDI, Wi‑Fi (RTP‑MIDI) and USB. Bluetooth pairing happens inside the app on iPhone and iPad; on Mac you pair in Audio MIDI Setup.
No account. No analytics. No third‑party SDKs. iCloud sync across your devices at no extra cost, with a local fallback if iCloud isn’t available. Presets, songs and full backups export as files.
Every profile is built from the manufacturer’s manual and audited before it ships. The full list is here — what’s in the app today, and what’s on deck.