PedalEditor

Speaks Fluent Eventide

Eventide’s MIDI dialect is thorough on parameters and silent on algorithm switching — none of the three can change algorithms over MIDI at all. The profiles surface that honestly: the app prints the front‑panel gesture instead of offering a control that does nothing. All three take MIDI clock. None have tap tempo. 3 pedals audited. 4 more built and waiting.

Available Now — 3 pedals

In the app today. Every one built to spec.

H9 Harmonizer

5 machines — Space, PitchFactor, TimeFactor, ModFactor, New for H9 — 52 modes, 520 controls, 99 preset slots. The largest profile in the app. Changing algorithm means the PRESETS button on the pedal, and the app says so on the screen.

Space

12 machines, 12 modes, 132 controls, 100 preset slots. Hall through Shimmer. Algorithm switching is press‑then‑turn on the Encoder; the profile prints the gesture.

TimeFactor

10 machines, 10 modes, 110 controls, 100 preset slots. DigitalDelay through Looper. Algorithm switching is the Encoder alone; the profile prints the gesture.

Coming Soon — 4 pedals

Built and waiting on audit.

Knife Drop · Rose · TriceraChorus · UltraTap

What fluency cost

3 done. 4 built and waiting. The H9 is the largest profile in the app — 520 controls across 52 modes takes a while to get right. Space and TimeFactor are smaller but carry the same accounting: where the pedal cannot do something over MIDI, the profile says what to press instead. That part doesn’t change regardless of how long the manual is.

Facts

Available on iPhone, iPad and Mac. Connects over Bluetooth LE MIDI, Wi‑Fi (RTP‑MIDI) and USB. Bluetooth pairing happens inside the app on iPhone and iPad; on Mac you pair in Audio MIDI Setup.

No account. No analytics. No third‑party SDKs. iCloud sync across your devices at no extra cost, with a local fallback if iCloud isn’t available. Presets, songs and full backups export as files.

Every profile is built from the manufacturer’s manual and audited before it ships. The full list is here — what’s in the app today, and what’s on deck.